A Quick Spin with Travel Guitars
- Darren Godwin
- Feb 15
- 2 min read
Before you dash off and buy a “travel guitar” because the phrase sounds delightfully adventurous — like something one might sling over a shoulder while striding across Patagonia — pause. Have a cup of tea. Possibly a lie down.
Then ask yourself a very simple question: what sort of trip are you actually going on?
There is a substantial difference between trekking through the Himalayas, flopping on a family beach holiday, and attending a three-day business conference in Slough. In your mind, you may picture yourself enjoying long, tranquil evenings — mountain mist curling about you — gently fingerpicking something tasteful while fellow travellers nod appreciatively.
In reality, you may find yourself lugging an oddly shaped wooden object through three airports, two taxis and a small argument with cabin crew… only to play it once, briefly, while everyone else is brushing their teeth.
So before committing, be honest. Brutally honest. Are you truly going to play this thing? Or are you bringing it along in the same spirit that people pack running shoes “just in case”?
There are, alas, compromises.
First: scale length.Some travel guitars are full scale. Some are slightly shorter. That difference — which looks harmless on paper — can feel like borrowing someone else’s spectacles. Chords land differently. String tension changes. Your carefully calibrated muscle memory goes on a minor holiday of its own. Check the measurements before you buy, especially if you’re fond of a particular string gauge or setup.
Second: acoustic or electric?An acoustic is pleasingly self-contained. No batteries, no cables, no faint panic about where you last saw the charger. You simply take it out and play.
Electric travel guitars, on the other hand, often require headphones and batteries — which are marvellous until they are not. Companies like Traveler Guitar make clever, compact electrics (including models in their Pro Series) that use a “stethophone” headset system so you can practise quietly without external amplification — very civilised in hotel rooms and thin-walled apartments.
But it’s one more thing to pack. And possibly misplace.

Third: sound.If your primary mission is simply to keep your fretting hand from stiffening into the shape of airport seating, then tone may not be a pressing concern. A modest, slightly wheezy output will suffice.
However, if you’re imagining campfire singalongs, terrace serenades, or casually dazzling a jazz bar in Lisbon, then you may care rather more about how it actually sounds. Tiny body equals tiny resonance — and while physics is a marvellous subject, it can be disappointingly unromantic.
Finally: portability.This is the entire point. The ideal travel guitar folds, collapses, detaches or otherwise performs origami tricks until it fits neatly into a padded gig bag small enough for an aircraft overhead locker. If it requires its own seat, you have misunderstood the assignment.
In short: match the guitar to the journey, not the fantasy. A good travel companion should be unobtrusive, cooperative and low maintenance — rather like the best travelling companions generally.
And if, at the end of it all, you decide not to bring one? That’s fine too. There is always room in your luggage for a good story instead.




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